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1. #PENTAX CAMERA LENS BEST BOKEH LENS SKIN#
2. #PENTAX CAMERA LENS BEST BOKEH LENS FULL#
3. #PENTAX CAMERA LENS BEST BOKEH LENS PROFESSIONAL#

Zoom lenses can also be used, of course, but the maximum apertures are generally not as fast as the primes, so out-of-focus backgrounds may not be so easy to achieve. Here we list a wide selection of prime lenses that could be considered as portrait lenses, all of them reviewed here on ePHOTOzine.

These figures are not set in stone, but just a guide as to what a “short telephoto” lens might be.

#PENTAX CAMERA LENS BEST BOKEH LENS FULL#

For APS-C crop sensor cameras, a portrait lens would be 50mm (75mm full frame equivalent) and for MFT around 35mm (70mm full frame equivalent). Whilst 50mm is a standard lens for full frame, for APS-C and MFT cameras the standard focal length will be different (35mm and 25mm respectively) and therefore the portrait lens will be different as well. This does mean that depth of field will be very narrow, so slower lenses of f/1.8, or even f/2.8 are still absolutely viable and there will be options available within all levels of budget.įinally, format is also a consideration. Thus, in the case of the 85mm for example, an f/1.4 lens is an expensive but excellent choice. Coupled with a beautiful out-of-focus background and smooth bokeh, this can create the most gorgeous portrait image. The faster (brighter) a lens is, the easier it is to throw the background out of focus. The speed of a portrait lens is also an important factor.

#PENTAX CAMERA LENS BEST BOKEH LENS PROFESSIONAL#

Many professional portrait photographers have found less than perfect lenses that they favour as perfect portrait lenses, because of the pictorial quality that they offer. There are also soft focus lenses, sometimes with adjustable degrees of softness. There are therefore many portrait lenses that are quite soft wide open, only becoming critically sharp when closed down a couple of stops.

#PENTAX CAMERA LENS BEST BOKEH LENS SKIN#

Few people want every pore of the skin to be reproduced with critical sharpness. Some portrait lenses are clinically sharp even wide open and this leads to the irony of buying a hugely expensive lens only to use a soft focus filter on the front of it to make it less cruelly sharp.

Thinking of the quality of a lens, including sharpness, in particular, the portrait lens can also be many things. It is also true that, for creative reasons, any lens can be a portrait lens under the right circumstances, but the norm is the short telephoto and this is an excellent focal length to start shooting portraits with. Some photographers do prefer wider or longer lenses, for example, 100mm or even 135mm being popular choices. Basically, a short telephoto lens allows that extra space, but not too long a lens as that would make us feel too detached from the model. The 85mm allows us to step just a bit further away, giving a more pleasing perspective, and images that flatter the model. The standard 50mm lens does give a view of the world very similar to that of the human eye, but for a close head and shoulders portrait, it means moving just a bit too close to the subject, resulting in features that seem to loom out at the viewer. The classic portrait lens for full-frame (35mm format) cameras has always been considered to be the 85mm. With a bright prime lens, you can get a sharp and detailed portrait shot, with beautifully blurred backgrounds, giving excellent subject separation.Īn Introduction To Portrait Lens Focal Lengths

With a high-quality lens, you'll also get sharp subjects, and some specialist lenses give control over the background blur, or what it's famously now referred to as "Bokeh". These lenses will help you isolate your subject with a shallow depth of field, and a blurred background. If you're looking for a bright prime lens for portrait photography then you've come to the right place.